UCL Press announces new North America print distribution partnership with University of Chicago Press
UCL Press is pleased to announce a new marketing and distribution partnership with University of Chicago Press, the publishing imprint of University of Chicago, USA. Effective January 1, 2018, the University of Chicago Press will distribute, sell, and market UCL Press books in North America.
Lara Speicher, Publishing Manager of UCL Press, reflected on the new partnership: “UCL Press is keen to expand its global reach, and making its books available in the USA and Canada is a critical component of this plan. Working with a university press such as Chicago and its long-established distribution program representing other university presses and scholarly publishers is the ideal partnership to help us expand our activities in North America.”
UCL Press is the university press of UCL, a research-intensive university ranked in the top 10 universities worldwide in the QS World Rankings. Since its inception as the first fully open access university press in the UK in 2015, UCL Press has established a widely respected list of scholarly monographs and textbooks ranging across anthropology, archaeology, history, architecture, environmental studies, popular science, and higher education. UCL Press publishes authors from UCL as well as many other institutions and makes all its books freely available online, as well as selling print copies through traditional retail channels.
Chicago marketing director Carol Kasper commented, “We at Chicago are delighted to welcome UCL Press to our family of publishers in the marketing distribution programme. UCL Press has made great strides in just a few years, and we look forward to partnering with them to raise their profile and better reach the North American market. We believe UCL books will find a good home with our growing group of client presses whose signature is serious non-fiction and scholarship.”
“We’re pleased to help introduce UCL Press’s books to our market and look forward to their great success,” added Joe D’Onofrio, Director at the Chicago Distribution Center.
Garrett Kiely, director of the University of Chicago Press, further said, “We are excited to continue to grow the Chicago Distribution Center and Chicago’s distinguished list of client publishers with the addition of UCL Press, whose high quality scholarship will fit well alongside many others in our catalogue.”
The University of Chicago Press’s distinctive and diverse list of distributed publishers includes the American Meteorological Society; Amsterdam University Press; the Bard Graduate Center; the Bodleian Library; Black Rose Books; Brigham Young University; Campus Verlag; the Center for the Study of Language and Information; Conservation International; the David and Alfred Smart Museum of Art, University of Chicago; Diaphanes; French National Museum of Natural History; GTA Verlag; HAU Books; Haus Publishing; Hirmer Publishers; Historic England; Intellect Books; Karolinum Press, Charles University, Prague; Leiden University Press; Logan Center Exhibitions, Reva and David Logan Center for the Arts; McMullen Museum, Boston College; Mildred Lane Kemper Art Museum; Missouri Botanical Garden Press; Missouri History Museum; Museum of Modern Art, Warsaw; Museum Tusculanum Press; National University of Singapore Press; Park Books; Policy Press at the University of Bristol; Prickly Paradigm Press; Reaktion Books; Renaissance Society; Royal Botanic Gardens, Kew; Royal Collection Trust; Scheidegger and Spiess; Seagull Books; Solar Books; Tenov Books; Unicorn Press Ltd.; University of Alaska Press; University of Exeter Press; University of Wales Press; and Zed Books.
As of January 1, 2018 all UCL Press backlist and forthcoming titles in North America will ship from the Chicago Distribution Center. Booksellers should contact the University of Chicago Press sales team:
The University of Chicago Press Chicago Distribution Center 11030 South Langley Ave. Chicago, IL 60628 USA
Telephone: 1-800-621-2736 (US & Canada); (773) 702-7000 (Rest of world)
Fax: 1-800-621-8476 (US & Canada); (773) 702-7212 (Rest of world)
All customers in the UK and the rest of the world should continue to use their current contacts.
For all UK and Ireland trade orders, please contact:
For all other trade orders please contact NBN International:
10 Thornbury Road
Orders to: firstname.lastname@example.org
Customer service: email@example.com
Orders and Customer Service: +44 (0)1752 202301
We are delighted to announce a brand new open access textbook : Key Concepts in Public Archaeology, edited by Gabriel Moshenska.
This book provides a broad overview of the key concepts in public archaeology, a research field that examines the relationship between archaeology and the public, in both theoretical and practical terms. While based on the long-standing programme of undergraduate and graduate teaching in public archaeology at UCL’s Institute of Archaeology, the book also takes into account the growth of scholarship from around the world and seeks to clarify what exactly ‘public archaeology’ is by promoting an inclusive, socially and politically engaged vision of the discipline.
Written for students and practitioners, the individual chapters provide textbook-level introductions to the themes, theories and controversies that connect archaeology to wider society, from the trade in illicit antiquities to the use of digital media in public engagement, and point readers to the most relevant case studies and learning resources to aid their further study.
We are delighted to announce the publication of Karl Popper, Science and Enlightenment by Nicholas Maxwell.
Here is an idea that just might save the world. It is that science, properly understood, provides us with the methodological key to the salvation of humanity. A version of this idea can be found in the works of Karl Popper. Famously, Popper argued that science cannot verify theories but can only refute them, and this is how science makes progress. Scientists are forced to think up something better, and it is this, according to Popper, that drives science forward.
But Nicholas Maxwell finds a flaw in this line of argument. Physicists only ever accept theories that are unified – theories that depict the same laws applying to the range of phenomena to which the theory applies – even though many other empirically more successful disunified theories are always available. This means that science makes a questionable assumption about the universe, namely that all disunified theories are false. Without some such presupposition as this, the whole empirical method of science breaks down.
By proposing a new conception of scientific methodology, which can be applied to all worthwhile human endeavours with problematic aims, Maxwell argues for a revolution in academic inquiry to help humanity make progress towards a better, more civilized and enlightened world.
We are delighted to announce the publication of >Bloomsbury Scientists: Science and Art in the Wake of Darwin.
Bloomsbury Scientists is the story of the network of scientists and artists living in a square mile of London before and after World War I. This inspired group of men and women viewed creativity and freedom as the driving force behind nature, and each strove to understand this in their own inventive way. Their collective energy changed the social mood of the era and brought a new synthesis of knowledge to ideas in science and art. Class barriers were threatened as power shifted from the landed oligarchy to those with talent and the will to make a difference.
A time of unexpected opportunities, from the new disciplines of Genetics and Ecology to Post-Impressionism and beyond, Michael Boulter seamlessly weaves together the stories originating from Bloomsbury’s laboratories, libraries and studios. He narrates the breakthroughs of scientists such as Ray Lankester and Marie Stopes alongside the creative outputs of H. G. Wells and Virginia Woolf, among many others, and intricately connects them all through personal friendships, grievances, quarrels and affections. Bloomsbury Scientists offers a fresh and crucial perspective on this history at a time when the complex relationship between science and art continues to be debated.