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The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry.
Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books.
From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.
The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry.
Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books.
From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.
‘This fascinating resource [is an] invaluable contribution to our understanding of this reclusive but enduring author whose work has been overlooked by serious critics for far too long.’
jenniferkloester.com
‘A varied and pleasant read … the best parts of Georgette Heyer, History and Historical Fiction offer much food for thought.’
Journal of Popular Romance Studies review
‘The volume’s editors succeed in producing an invaluable compilation enriching the studies of 1920s English genre literature by considering Heyer’s work in the context of post-war culture, with its heightened interest in the Napoleonic era, as well as in relation to literary tradition, especially Jane Austen’s works, but also referencing adventure novels of Heyer’s older contemporaries Baroness Orczy and Rafael Sabatini.’
Voprosy literatury
‘Academic in style, but accessible to read, the collection both celebrates and elevates an author whose work is much loved but often dismissed. A fascinating read.’
Historical Novel Society
‘The essays in this collection break new ground by providing serious discussion of the craft of Georgette Heyer (1902–74)… This stimulating book will be popular among students and readers of romance and historical fiction.’
Choice
‘A powerfully interesting interdisciplinary collection, which offers rich new insights for the many who love reading the works of Georgette Heyer.’ – Bex Lewis, Manchester Metropolitan University
Samantha J. Rayner (Editor)
Samantha J. Rayner is Reader in Publishing at UCL, where she is also Director of the Centre for Publishing. She teaches and writes on publishing and book related topics, with special interests in the culture of bookselling, editors and editing, and academic publishing. She is the General Editor for a Cambridge University Press Elements series on Publishing and Book Culture, and is also a member of the UCL Press Board. She is a life-long fan of Heyer and historical fiction in general.
Kim Wilkins (Editor)
Kim Wilkins is Professor of Writing and Publishing at The University of Queensland, Australia. She is also the author of 31 novels, ranging across fantasy, YA, and historical fiction, and is published in 20 languages. Her research encompasses popular fiction, creative practice, and twenty-first-century book culture.
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